Sunday, 18 March 2012

Fatty's Spooning Days (Mabel, Fatty and the Law) (Arbuckle / Normand 1915)

Spooning, I'm assuming, is an Americanism, and presumably an Americanism anachronism, for any kind of flirting or courting behaviour? The great, silly premise for this one-reeler is that absolutely anything of this nature is forbidden in a big, public (but suspiciously empty) park. Fatty and Harry Gribbon and their respective wives end up in this big, public park, not only spooning like there's no tomorrow, but also spooning with each other's partners. Spooning- I like this term, I'm going to be using it more often.
All four of them end up in the police station, having to pay hefty fines. That's your entire plot, to be frank, save for a bit of nonsense with a couple of maids early on. The idea of the police, in great numbers, loitering around the park just waiting to pounce on devious spooners is such a lovely one- it's dumb and cheeky, but it knows it's dumb and cheeky and is so brazen about it you just don't care.
Harry Gribbon I don't think I've seen before- he's very tall and slightly rubbery faced and faux-elegant, and he seems of a different time altogether, as if he's just been plonked down in the middle of 'Fatty's Spooning Days' from his safe house in the 40s, the 60s, the 90s even. I like him, he's got a certain something. Mabel has looked better than she does here, I have to say. She's a little dowdy, a little plain- maybe it's the outfit. There's some great pantomime between her and Gribbon though, and the four leading players- with the Keystone cops supporting them in a relatively subdued and subtle manner- make this very enjoyable. You're not going to fall out of your chair, but neither will you have the slightest inclination to turn away from the screen of your choosing.

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